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Keeping
a journal can teach you surprising things about yourself.
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Gerry
of Workshop It
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Fabricate
Wednesday 21 June 2006
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Just back
from the Embroiderers' Guild Victoria where I helped staff
the 'Fabricate' exhibition put on by the Textile Artists'
Group. My wool and polymer clay piece at left, Exemplar I,
was one of 30 pieces on display. This was a juried exhibition
that attracted over 70 entries, so I was thrilled to have
a piece selected.
There
are lots of wall quilts, framed textiles and other artworks.
It is on daily till 1st July, Mon-Fri 10am - 3pm and Sat-Sun
10am - 1pm, $5 entry. Located at "Embroidery House"
170 Wattletree Road, Malvern.
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Art
Tarts and Cup Cakes
Monday 19 June 2006
We had our second
and final Paper Arts Tarts event for the year in Mt Waverley (Melbourne,
Australia). Besides having a great time crafting and shopping, we
raised $300 for Beyond
Blue. Woo-hoo! And guess who turned up just before closing?
Fifi Hedwigger, Stamping
Teacher to the Stars. Oh dahlings!
| After
the excitement of a big day with the tarts at Paper Arts Tarts,
you'd have thunk I'd go and put my feet up for the evening.
Nah-uh. I was off to a Fabulous Forty birthday party for my
friend Sharon (alias Norbu) and the theme was cupcakes. What a deliciously creative idea!
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was an intimate gathering of frocked-up ladies. We played celebrity
heads - what a hoot! I'd show you the photo of the Birthday
Girl but she had her eyes closed and was stuffing cupcake into
her mouth - looking not very fetching actually. We'll focus
our admiration on the dainty cakes instead. |
Clever
clay
Tuesday 13 June 2006
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On
the first weekend of June, the Melbourne Polymer Clay Group
had its first weekend retreat. We went to Bacchus Marsh and
made delightful things. Shirley Dougan of Image
Moulds showed us how to make kaleidoscope canes starting
with just two colours of clay. I mostly stamp in clay, so caning
was a new adventure. |
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I brought my cane home and spent some time Sunday turning it
into beads and brooch backgrounds and the little triptych you
see above. |
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At the
retreat, Margaret Mueller taught us the transfer techniques
that resulted in my bug beads. They burnt when I cured them
in my toaster oven, so I distressed them further with brown
acrylic paint. I actually like the burn marks now!
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Find
out more about Melboure Polymer Clay Group here.
Also this past weekend I did an introductory class in Metal
Clay at Workshop
It on Chapel Street. There's my tutor, Gerry at left.
And below, the silver pendant I made is resting on the Studio
Astarte stamp I used to create it with. Notice the pendant
is smaller, due to shrinkage during the firing process.
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Metal
Clay is similar to polymer clay in the way it is worked. You
can cure it on a gas stove burner - even a camping stove will
work. I have found a new medium and I love it! (Just
what I needed - a new medium.)
Hey
there Melbourne Readers! Join us at Paper
Arts Tarts this Saturday the 17th! Come say hello to me
on the Studio Astarte stand.
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Naked, looking in the mirror
Thursday 8 June 2006
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It
has been a sobering exercise this week, phoning papercraft businesses
around Australia to ask if they would like to exhibit at Paperific
Expos. I am having no trouble selling stands at Melbourne, of
course. It is a strong show - Australia's favourite, I'm not
embarassed to say. |
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Sydney
is another matter, and too many New South Wales craft businesses
have had poor returns on expos of late. In fact, business
just plain old sucks for everyone at the moment. Crafters
are not spending money on craft.
A colleague
I spoke with yesterday is one of many who is getting out of
the game. "It was vanity that drew me into this business,"
she said. "I loved stamping and I wanted to do the ultimate
- manufacture my own line of stamps. Well, I did it and enjoyed
it in spite of the hard slog, but there's no money to be made
from it."
Vanity.
That hit home. She'd just held up a mirror for me to look
into.
This woman
had bravely backed out ot her business, found another job,
lifted her income several notches and was more comfortable
with her life as a result.
The moral
of this story: If you are contemplating starting a craft business
in this sorry economic climate, please think twice. There
is more joy in DOING craft than in SELLING craft.
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Worldly
Possessions
Tuesday 2 June 2006
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| Meet
the Bead Family, which I created when I was 12 or 13. They lived
in a bedroom display cabinet with my doll collection for over
thirty years. This is one of the treasures from my parents'
home in Indiana, to which I returned last month to help clean
out. Mom and Dad have moved to small apartment in a retirement
village. They love it there. But they needed their six children
to come back and clean the fifty-plus years of accumulated stuff
in the old homestead. We worked solidly for a week. We worked
like Trojans. We also had a lot of laughs. I wouldn't have missed
that week for the world. I have to say in all honesty, that
week was a highlight of my life and I feel such privilege to
be a part of my wonderful family. |
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There's
my mom and dad at left. She's holding up her wedding dress and
wearing the veil. The garment was disintegrated beyond repair
- not worth keeping, and my four older sisters didn't know what
to do about it. Mom said, "Just burn it!" My sisters
felt more attached to it than she did! I suggested I cut off
the bodice and save the headpiece and make everyone a little
fabric collage with Mom and Dad's wedding photo in the middle.
The sisters reluctantly agreed, |
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provided
I do the cutting-up in another room and dispose of the remains
in a sealed black garbage bag. Really! you'd have thought
I was putting down a beloved family pet.
The whole
exercise of cleaning out my family home was a tremendous lesson
about how we cling to material goods - whether they have current
value, potential value or just plain old sentimental value.
In our hearts we know that what really counts is the love
and joy in our lives - not the things that represent that
love and joy.
I returned
to Australia with an extra suitcase of "treasures"
and there are two boxes making their way here separately.
The Bead Family was left behind in Indiana in a flat box of
other old dolls. Will someone purchase that box at the auction
next month? Will they keep the Bead Family, or chuck it out?
Who knows. They are small, true, but I didn't feel like dragging
them back. A photo will keep their memory alive.
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Art and Soul
Thursday 1 June 2006
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Wow!
I'm back from the States and did I ever have a ball. Today
I'll report about the Dallas Art and Soul Retreat I attended,
then in my next blog entry I'll tell you about the second
half of my trip which was spent with my family in Indiana.
At left
I am pictured with the fab glam Claudine
Hellmuth, one of five tutors I learned from at the Art
and Soul Retreat. At top right of this webpage you can see
one of the works I created in her class, and there are more
featured on a separate webpage.
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My other tutors
included Jacqueline Sullivan, who taught us different methods of
creating texture on watercolour paper and Tracy Batista who gave
a taste of her bold and colourful drawing style. DJ Pettit led a
class in which we created a collage on cloth that was turned into
a handbag. Lesley Riley took us through the process of creating
a fabric altered book, which I've photographed for the Studio Astarte
gallery.
There were over
a hundred students attending the Art and Soul Retreat - some were
local but most came from all over the USA to attend. There were
a couple of gals from Canada and Pearl Moon and I from Australia.
I really enjoyed getting to know my fellow students. There was a
bit of ATC swapping, though not as much as I'd expected. Oh - and
we were in a lovely hotel, which made the event all the more special.
The event was very well-organised and the tutors were absolutely
top-drawer. It is little wonder that so many of the students I met
there are regular attendees. Food for the soul - that's what it
was.
Check out the
photos from two of my classes: The
Fabric Altered Book and the
Book on a Canvas.

RETURN
TO TOP
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A self-portrait made in Claudine Hellmuth's class, using a photo taken around 1965)
I'm
Stacey DeJean Apeitos, working (and playing) in the craft industry
and exploring how creativity operates in my life.
Many of the black &
white images featured on this page are
art stamps from
Studio Astarte
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